Showing posts with label Wesley Pipes. Show all posts
Showing posts with label Wesley Pipes. Show all posts

Saturday, 1 December 2012

Casualties Of Jazz - Kind Of Black (2004)


It doesn't really get any simpler than this. Instrumental jazz trio cover Sabbath classics. That's nine Black Sabbath standards filtered through drums, double bass and Hammond organ. Its a superbly laid back listen with a ton of groove and some ingenious instrumentation. Well worth your time.




Monday, 15 October 2012

Blazing Magnums - Eurocrime Mixtape

Here is something I put together for a friend's birthday recently. Fans of Eurocrime, Italian cinema and 1970's amoral Police procedure movie's should hopefully enjoy it. Evoking the spirit of Henry Silva and Franco Nero and creating the perfect soundtrack to your next rooftop chase.



Lalo Schifrin - Harry's Creed 
John Saunders - Gunman 
Franco Micalizzi - Folk & Violence 
Brian Bennet - Drama Montage 
Ennio Morricone - Un Amico 
Franco Micalizzi - Affano 
Goblin - La Via Della Droga 
Keith Mansfield - Jagged 
Dave Gold - City Police 
Franco Micalizzi - Criminal Gang 
Guido & Maurizio De Angelis - New Special Squad 
Franco Micalizzi - Dark Suspense 
Lalo Schifrin - Scorpio's Theme 
Guido & Maurizio De Angelis - Life Of A Policeman 
Franco Micalizzi - Running To The Airport 
Guido De Angelis - Goodbye My Friend

Thursday, 3 November 2011

Ron Grainer - The Omega Man OST (1971)


A fine piece of original scoring for you today. The full soundtrack to the second ( and my personal favourite) film version of Richard Matheson's I Am Legend, the Charlton Heston starring The Omega Man.
Grainer worked on a lot of TV and film music, even helping compose the famous theme to Doctor Who, and was very progressive in the use of strange sounds and electronic musical instruments. The Omega Man uses these odd effects but also balances them with uptempo, almost psychedelic rock, glimmers of folk and some very stirring orchestration to soundtrack Chuck Heston's running fight with "The Family". I won't recap the film as its been adapted four times for the big screen, my favourite posted here, the 1964 The Last Man On Earth, 2007's I Am Legend and those cheeky devils at Asylum Films knocked out their own adaptation in the same year, I Am Omega. So here you have it, one of my favourite 70's scores, a very hard to find one at that. It never got a proper release until a 3000 copy pressing in 2002 and then a general release in 2008.











Tuesday, 21 June 2011

Godstopper - Demo (2010)

Seriously, I can't stop listening to this at the moment. Its grimy hooks are buried in my brain, yanking away, screaming for me to listen. Godstopper exist in a strange realm where Swans had a love child with Ween and this demo is the outcome of that sordid night. The weird, mid range sludge of the guitars seems at odds with the very melodic "rock" of the vocals at times but in this world they work perfectly together. The suffocating, claustrophobic, lo-fi production only adds to the general air of grime and filth which in turn makes the vocal patterns leap out from the mix. I really have struggled at trying to describe this to people so I will just leave it here for your to understand yourselves..


Here is the video for the best song on here, seriously. I love this so much.

Monday, 6 December 2010

Sam & Dave - Hold On, I'm Comin (1966)


Gritty, classic soul/R&B masterpiece. Allegedly the title track was written after being rushed to finish up having a whizz, song writer David Porter responded with "Hold on, I'm comin". One of the finest vocal double acts ever. Without Sam & Dave we wouldn't have no Blues Brothers. And where would we be then?



Friday, 23 July 2010

New Jack City - OST (1991)


Once upon a time this was the baddest film about drug dealers. I first saw this when at primary school. Having to pause it or turn it off every time my parents came in the room. Looking back its not really that bad. its still a great film. Wesley Snipes, Ice-T, Mario Van Peebles, Judd Nelson and a young Chris Rock are all pretty good in it. I really think it has a lot more in common with Blaxploitation than any sort of social commentary. You could draw a very definite line from this right back to Van Peebles father and his cinematic achievements.
Still the soundtrack has some good stuff on it. All that sort of late 80's hip-hop/R&B stuff where they have tons of jazz and double bass, midi keyboards and lots and lots of smooth vocals.
Plus it has Flavour Flav in it as well.