RIP Micheal Winner. A big man that said what he thought oblivious to how it would be construed. He made quite a few stinkers when it came to movies but also some pretty solid fare as well. The Mechanic, The Sentinel and the urban revenge classic Death Wish. Below is the score by Herbie Hancock. A fine example of Hancock's electric style showing restraint and being applied to tense, dramatic scoring.
Bit of shameless self promotion here. We (Black Mass) have been sat on this for some time now. Its a compilation of all the material the band had previously released. After myself and our two guitarists had joined we started building up our own recording rig and this compilation is the result of those forays into home recording. Its come out pretty good if I do say so myself. We have now dropped most of this from the setlist as well, so we saw this release as a good sign off for the first period of the bands life. For now, we have released it on Bandcamp for free. If it doesn't work then use the Mediafire link under, we only get so many free downloads a month. A physical version should be available from Witchunter Records in March.
On the surface, Cops are a bunch of hardcore punks who enjoy Crossed Out and Suppression as much as the next guy and their band certainly reflects that. But scratch beneath the surface and it begins to show a much nastier side. Squelching little synths and electronics underpin the breakneck guitars and drums giving away a knowing nod to power electronics and noise. Maybe not really anything new in the world of power violence and grind but certainly integrated far better into the Cops sound than most. I have included both demo's in the link below. I don't know if they have anything else available, what little there is is well worth your time. I came across this on the always awesome Terminal Escape.
Though often credited as a Goblin record, Tenebre is really a soundtrack composed by three former members of the Italian, prog-synth, rock freak out act. Once again working with Italian master Dario Argento, Simonetti, Pignatelli and Morante crafted a sturdy mix between the well known Goblin keyboard heavy sound and something approaching the more standard guitar based work that was popular at the time ( in all honesty the track "Lesbo" could have been omitted, it sounds like the theme tune to a dreadful beach set surf cop film/TV series). The film itself is one of Argento's most under rated efforts. As much as Suspiria and Profondo Rosso are well crafted classics, Tenebre holds a certain charm and nastiness about it. Goblin's iconic title track has one of the catchiest refrains going, I dare you not to be humming it after only a few listens. French dance gang Justice covered/sampled/homaged it on the track Phantom, off the "cross" album.
More sexually repressed, lo-fi black noise from the Danish mystery that is Jackman and the folk at Posh Isolation. Following on from the example set by the S/T demo I posted back here ( nearly two years ago!) Bad Intentions seems to have ramped up the Brainbombs influence that was struggling to be heard amongst the filth and dirt of that first release. Pulling back on the noise and black metal elements, though it is still noisy as hell, and concentrating more on simple punk songs. A nasty little listen.
A fixture of my youth. Megaforce is probably one of the tackiest and mindlessly stupid movies you will ever see, but as a child, it was also the most awesome movie. A secret military force who use flying motorcycles, laser tanks, colour changing camouflage and the sort of wisecracks that even GIJoe avoided. What wasn't awesome about all this.
The film was directed by ex-stuntman Hal Needham. The man responsible for Smokey & The Bandit, Cannonball Run, Hooper and 80's BMX classic Rad. It starred his stuntman buddy Barry Bostwick (pictured left), Coney Island Warrior Micheal Beck and the unstoppable Henry Silva. The soundtrack was handled by Jerrold Immel, a regular in TV soundtracks, having been responsible for the TV version of Logan's Run and most famously, Dallas.
Immel pulls a pretty sweet score out of the bag for this one. Based on the simple premise of uplifting motifs to represent the good guys and sinister orchestration to represent the bad guys, Immel utilised a heap of electronic organ and synthesiser equipment to replace the usual brass and string accompaniment.
All that aside its a solid piece of electronic drama. Get it downloaded.....
Wives Of Seth a.k.a. Ray Reardon Youth. Snooker violence. A short lived blast of noisy, aggro hardcore from Bloody Kev ( Hard To Swallow, Raging Speedhorn, Regimes and far too many others to mention) and various London folk. We played with them at a very drunken, very sweaty gig in 2004 at a Jamaican pub called The Swan. Dancehall playing in one room and a load of sweaty kids smashing up the other room to loud punk rock. It was superb.
Here's the 2003, Sexy beast sampling demo...............
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